‘Raised 7th’ means that the 7th note of the scale is raised by one semitone. When you suspect that the key is minor, look for the raised 7th in the music.The first and/or the last notes of a piece are normally the tonic. The last chord is also usually the first chord of the scale.If not, it’s the fifth chord of the scale (the dominant). The first chord in the music is very often the first chord of the scale (the tonic).Usually, the first note of the melody is either the first note of the scale (known as the tonic) or the fifth note of the scale (known as the dominant).Seeing the tonic and dominant within the music will help you recognize between major and minor really quickly but here are 5 tips to begin with: We learn why these chords are so important in this detailed lesson about ‘tonality’ but in general, it’s because together they establish the tonic in place as tonic. With practice, you’ll learn to see these notes and chords instantly in any key. The dominant: that’s the fifth note of the scale and the chord built on it:.The tonic: that’s the first note of the scale and the chord built on it.In general, the most important notes and chords of major and minor keys are: OK so now that we can recognize the key signature of a piece, we’re left with deciding whether it’s representing the major scale or the minor scale.įor this we have to look at clues within the music itself. If we changed the pattern, we’d be changing the scale itself. That pattern is where the scale gets its distinct sound – its particular quality. The sharps or flats are there to keep the correct pattern of tones and semitones. In other words, the key signature of B flat major is 2 flats: B flat and E flat. If we started from the note B flat and wanted a major scale, we’d find out that to maintain the correct pattern of tones and semitones, we’d need to flatten 2 notes: the B itself (becoming B flat) and E (becoming E flat). In other words, the key signature of D major is 2 sharps: F sharp and C sharp. For example starting from the note D, the notes F sharp and C sharp (rather than F natural and C natural) are necessary to keep the proper pattern of tones and semitones. The scale of C major uses only the white keys of the pianoīut if we start on any other note, we’ll have to make use of one or more sharps or flats. If two songs are in the same key, it simply means that they’re using the same scale. If the music changes key, then the scale has changed. So with the term ‘key’ we’re simply talking about which scale is in use at any one moment. If we look at some music that uses this scale, then the music is in the key of A minor: Mendelssohn: Symphony No. 4 – 1st movement theme in A majorĪnd here is the scale of A minor (meaning that it’s the minor scale pattern beginning on the note A): The scale of A minor Now if we had some music that uses this scale, we say that this music is in the key of A major: Mendelssohn: Symphony No. Each one of them is a key.įor example, here is the scale of A major (meaning that it’s the major scale pattern starting on the note A). Why 12? Because every note of the musical alphabet (all 12 of them!) gets its turn being the first note of a major scale and the first note of a minor scale. As you’ll see in the chart below, we have 12 major keys and 12 minor keys. We use the term ‘key’ simply to refer to the major or minor scale we are in. We’ll begin with recognizing a major or minor key in sheet music. How to Tell if it is Major or Minor in Sheet Music
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